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Copyright 1991 - 2008 (online 2002) |
Provider
CinemaSource
Review
A killer concept that has been turned into a sometimes amusing, occasionally
hilarious summer laugh fest, Step Brothers should please Will Ferrell fans.
Story
Will Ferrell is back on-target in the dumb movie sweepstakes as Brennan Huff, an
over-grown, overly sensitive son who has never bothered to move out of single
mom's (Mary Steenburgen) house even though he's 40. When she meets, falls in
love with and marries an older doctor (Richard Jenkins) all before the opening
credits are over, Brennan must move into his new stepfather's home where--you
guessed it--39 year-old loser and would-be musician Dale Doback (John C. Reilly)
has been living with Dad all these years as well. The new siblings, who give
stunted growth a whole new definition, bunk together like 10-year olds with an
instant rivalry that causes havoc in the household. Soon they find themselves
birds of the same feather when fed-up dad announces he is selling the house and
going on an around-the-world cruise with his new bride. The hapless pair are
ordered to find decent jobs and a new place to live--a prospect neither
relishes.
Acting
After an earlier misstep this year with the inane Semi-Pro, Ferrell is back in
his comfort zone and finding new sparks opposite Reilly, who despite the failure
of his recent starring comedy Walk Hard, continues to show natural comedic
abilities. The two are fun to watch as they mine a lot of laughs playing
imbecilic but lovable adolescent middle-aged men--Peter Pans who just never grew
up. Still, it's the supporting cast that really shines. Jenkins--enjoying the
best year of his career especially with his stellar turn in The Visitor is now
complementing it with his riotous portrait of a put-upon dad, dealing with a
couple of morons who have overstayed their welcome by about 20 years.
Steenburgen manages to invest the rather colorless mother role with dignity,
even earning a couple of laughs on her own. Adam Scott as Ferrell's real-estate
mogul brother is consistently fun, particularly in leading a family sing-a-long
while driving to bro's house. Also of note, Kathryn Hahn as his mousy but
extremely kinky wife who tries to get down and dirty with Reilly.
Direction
Ferrell's writing partner Adam McKay is not only co-scripting again but back
behind the camera, guiding Ferrell's and Reilly's on-screen nuttiness. Adam
McKay, an SNL veteran who was responsible for two of Ferrell's biggest hits ,
Anchorman and Talladega Nights knows from experience exactly how to take these
over-the-top situations and wring every last laugh out of them. Movies like this
are hit and miss, so give McKay credit for hitting more than he misses. Each
actor, even the lesser-billed ones, have their moments to shine, and it's a nice
tribute to McKay's laid back direction that none of them bellyflop. The premise
of Step Brothers clearly presented some potentially rich comic possibilities and
McKay and company uncover most of them. Certainly the film should strike a
responsive chord with those faced with grown kids either coming back home to
live or never leaving in the first place--if not quite to THESE extremes.
Bottom Line
Hollywood.com rated this film 2 1/2 stars.
Copyright © CinemaSource 2008.
CinemaSource
|
Provider
CinemaSource
Review
Perhaps it was something in the Spanish water, but Woody Allen has produced his
funniest movie in years in the seductively engaging Vicky Cristina Barcelona.
Story
Writer/director Woody Allen travels to Spain for the first time, movie-wise, for
a sophisticated bedroom romp about two American girls, Vicky (Rebecca Hall) and
Cristina (Scarlett Johansson), who hit Barcelona for a summer vacation and end
up in an unusual encounter with a local painter (Javier Bardem). He seduces them
into joining him on a white-knuckle plane trip to his place. There, he tries to
bed both separately and together--until his unstable ex-wife Maria Elena
(Penelope Cruz) shows up and throws his game plan off. Cristina seems like the
more willing of the two, eager to give anything a try, while Vicky, who is
engaged to be married, completely resists--that is, until she doesn't. The
unexpected choices made by this group of disparate people suddenly brought
together is what keeps Allen's story edgy and surprising.
Acting
Allen leaves the acting to others this time and gets sterling results with a
splendid cast perfectly suited to the sophisticated and very funny rhythms of
Woody's hilarious script. Johansson--clearly Allen's latest muse after Match
Point and Scoop--is slyly amusing as a true free spirit, willing to get in the
European swing of things. Hall, daughter of director Peter Hall and quite
British in real life, affects a perfect American accent to expertly play a young
woman whose inner yearnings keep trying to trump her ordered life. The actress
is wonderful in a complex portrait of romantic confusion. Patricia Clarkson, so
good in Elegy, also is reliably fine here as a woman caught in an unsatisfying
marriage. Reigning Supporting Actor winner, Bardem shows natural comedic
abilities as a Spanish Lothario who turns on his considerable charm to conquer
two women at once. What he doesn't see coming is the wrath of his ex-wife Maria
Elena and the hold this near psychotically emotional woman still has on him.
Cruz is just great in the role, choosing to play her like any number of straight
dramatic parts we've seen her do and letting the comedy emerge like fine wine.
Her lapse into Spanish whenever she is upset (which is pretty much all the time)
is vintage Woody. Cruz and Bardem are screen gold together.
Direction
Woody Allen seems to have had his fading career reinvigorated by venturing out
of the safe confines of his beloved New York City first to London with Match
Point, his brilliant 2004 crime drama and now to Barcelona with Vicky Cristina
Barcelona, his funniest film in years. All the themes and style of past efforts
are here but in terms of pure laughter, this is his best since the heyday of
Annie Hall, Hannah and Her Sisters and Manhattan. One quirky choice he probably
could have dropped is the incessant voice of a narrator carrying the story along
like a fairy tale. The dialogue and acting are of such quality, we could have
done without the constant explanations of what is going on. As usual, Allen
works simply and quickly getting the most out of his rich and wry screenplay, a
witty dissertation of the left turns our love lives can so easily take.
Bottom Line
Hollywood.com rated this film 3 1/2 stars.
Copyright © CinemaSource 2008.
|
Provider
CinemaSource
Review
Traitor is a relentless suspense thriller with a jaw-dropping twist
that will have you on the edge of your seat.
Story
Although politically charged Middle Eastern terrorist themes have
generally been box office poison of late, Traitor is worth a look as
it ratchets up the suspense to levels that make it this year's
successor to The Bourne Ultimatum. Don Cheadle stars as U.S. Special
Opps officer Samir Horn, a renegade military operative who walks the
fine line between good and evil to the point where even HE isn't sure
which side he is working for. FBI agent Roy Clayton (Guy Pearce) is
hot on his tail in one of those enormously complicated undercover
jobs. Horn conveniently stays two steps ahead of authorities, who have
reason to believe he may be working as a double agent with deep and
dangerous connections to key terrorist organizations. A task force
links him to various illegal operations in Yemen, Nice and London, and
soon he becomes one of FBI's Most Wanted--a man of contradictions and
covert strategies that are perhaps not in the best interests of the
United States. Muddying the waters is his secretive relationship with
a veteran CIA contractor, Carter (Jeff Daniels), who may have an
unofficial agenda at odds with the agency. As Clayton tracks Horn
around the world, a high stakes game of cat and mouse leads to some
surprising twists and turns.
Acting
With Hotel Rwanda's Don Cheadle in the lead and a
ripped-from-the-headlines plotline you might be inclined to think
Traitor is going to be one of those overly serious, not-so-fun
dramatic pieces. Think again. Cheadle comes off more like Matt Damon
in the Bourne movies and nails this heavy action role, focusing as
much on the chase as on the complicated dialogue he has to deliver
(including some very convincing Arabic). Key to the role is keeping
the audience on edge and constantly questioning Horn's motives as he
does his high wire act on the gray line between black and white.
Cheadle plays him as a man trying to do good, but one who isn't quite
sure what that means anymore. Although the actor dominates the
landscape, Pearce as the agent in pursuit is also very effective in
his dogged determination to come to the truth. Their relationship is
reminiscent of the one between Harrison Ford and Tommy Lee Jones in
The Fugitive. Also impressive in his few scenes are Jeff Daniels, as
the morally ambiguous independent CIA contractor, and Neal McDonough
as Clayton's partner. In what could have been stereotypical terrorist
roles, casting real Arabic actors paid off with nicely authentic
performances from a group of fine international performers including
Aly Khan (A Mighty Heart) and Said Taghmaoui (The Kite Runner).
Direction
Writer/director Jeffrey Nachmanoff successfully makes the transition
from full-time screenwriter (The Day After Tomorrow) to a talent with
a clear set of skills behind the camera. For a directing novice,
Nachmanoff has done his homework and has created a pulse-pounding
action thriller that doesn't miss a beat but still remains a complex
drama to its core. Expertly blending some fine cinematography and
superb editing, the director makes this Middle-Eastern epic work as
pure entertainment first, and political polemic second. Interestingly,
it wasn't Nachmanoff who came up with the intriguing concept, but
comedian Steve Martin, who wrote the initial treatment thinking it
would be a nifty premise for a movie. He was absolutely right.
Bottom Line
Hollywood.com rated this film 3 1/2 stars.
Copyright © CinemaSource 2008.
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